Showing posts with label Something Else. Show all posts
Showing posts with label Something Else. Show all posts

Wednesday, 8 April 2026

On my Garden

 I’m having a little trouble with my blog. It’s something to do with cookies and means that I can’t add pictures. I managed to sort it out the other week but only by clearing all the cookies on my computer, which has made it harder to access other stuff I want. It’s a pain.

Normally, that wouldn’t be too much of a problem because this isn’t a very picture heavy blog. I like to use one picture at the beginning and my dandelion signature at the end, but my intention for today was to talk about my garden and show pictures of it. (I got it working.. is it for long? Will it stop again? Who knows).



When I bought and moved into this house, the garden consisted of a cracked concrete path going up to an outbuilding (probably of asbestos) and, where grass might be, a sea of stones and gravel. On further inspection, this gravel was on rows of plastic sheeting and underneath that was compacted mud and moss. As I’ve lived there, various plants, weeds and ‘things’ pierced through holes in the sheet and through the stones. As Jeff Goldblum once said, life will uh, find a way.


Having created a cosy, dry and pleasant space inside (bathroom and stairway excepted), it was time to have a go at the garden. I am not not a rich man. Even less having bought a house and done it up. So I’m trying to create a simple, pleasant first-timer’s garden out of what is there.


With the help of my intrepid parents, I’ve moved the plastic sheeting over the cracked concrete path and then scooped the stones onto it, so now I have a gravel path up to my outbuilding. Then I’ve broken up the surface mud with a strange tool that looks like a milking stool on a stick. Today we plan to rake the mud back and forth, removing as many stones as we can, and making it as flat as possible. We are laying turf tomorrow, leaving a gap to put in flowerbeds and bushes - I’m hoping for as many fragrant ones as possible, to encourage birds and bees. It won’t be any grand garden, but should be a pleasant place to sit and read in the summer.





The only one of my eighteenth century pals to mention a fondness for gardening is Christopher Smart, who enjoyed the activity when he lived in a private mad house. This is probably because he has access to a private green space, something less accessible to Johnson, Goldsmith and others. 


Johnson would have been able to walk the gardens owned by the Thrales in Streatham, and the eighteenth century was a big time for grand garden projects. There was an emphasis on creating a perfected nature, not the strict lines of a Tudor garden but bends, turns, vistas - and the odd allegorical temple or folly. It was not yet usual for houses to include a small domestic garden, that was an invention of the nineteenth and twentieth centuries.


I won’t be able to create a grand eighteenth-century vista in my little patch of mud, nor do I have the money or expertise to create a luxurious cottage garden (though I fancy giving a hollyhock a go) but I’ll be able to create something better than concrete and gravel. I’ll even be able to show it off, if I can get this site to allow me pictures again.




Wednesday, 17 September 2025

Rest

I've been very busy with plays and school, so I'm having a rest from the blog this week.

4. Quiet; peace; cessation from disturbance.Learn of me, for I am meek and lowly in heart; and ye shall find rest unto your souls.
Mat. xi. 29. 
He giveth you rest from all your enemies.
Deut. xii. 10. 
Though the righteous be prevented with death; yet shall he be in rest.
Wisd. iv. 7. 
’Scap’d from such storms of pow’r, holding it best
To be below herself to be at rest.
Daniel’s Civil War. 
The root cut off, from whence these tumults rose,
He should have rest, the commonwealth repose.
Daniel.
Thus fenc’d, but not at rest or ease of mind.
Milton. 
With what a load of vengeance am I prest,
Yet never, never, can I hope for rest;
For when my heavy burden I remove,
The weight falls down, and crushes her I love.
Dryden. 
Like the sun, it had light and agility; it knew no rest but in motion, no quiet but in activity.
South’s Sermons. 
Where can a frail man hide him? in what arms
Shall a short life enjoy a little rest.
Fanshaw. 
Thither, where sinners may have rest, I go.
Pope. 
The grave, where ev’n the great find rest.
Pope. 
The midnight murderer
Invades the sacred hour of silent rest.
Anonym. 

5. Cessation from bodily labour.There the weary be at rest.
Job iii. 17. 




Wednesday, 10 September 2025

Building my 18th Century Library

 I've long wanted a lovely, permanent home for all my eighteenth century stuff and now I have my own house, I've managed to create that room of my desires. Here is how I did it and how I organised it.






Wednesday, 20 August 2025

Trying out Youtube's 'Inspiration' feature.

 I've had a little poke about on AI now and again. I know it's awful but I can't help being nosy. This time I discovered a feature on Youtube that gives you ideas for a video, structures it and provides thumbnails. I gave it a little go.






Wednesday, 6 August 2025

Overconsumption and my Book Habit

 I'm currently unpacking and organising my books in order to create my dream house-library, so I've turned it into a little video about my book consumption habits.







Wednesday, 16 July 2025

'This is Me' - of course it is.


 

Yesterday, the children at the performance club of the school I work at performed a three show run of an adaptation of The Greatest Showman. I’m the second adult in the club at so the de-facto assistant director (though the work has mainly been the other adult, she’s worked hard).


I signed up to help the club because I had to help one and I like performing. It was revealed what the performance was going to be after. At this point, I’d not actually seen The Greatest Showman, so my first job was to watch it. To be honest, I think it looks incredibly cheap. There are some awful cg enhanced shots and it simply didn’t convey the fun of the fair. I also found the re-telling of PT Barnum’s life to be absolutely baffling. Barnum is an interesting person, not a good person, but an interesting one. I’ve read a little about him and some of his performers and there’s a lot to unpack in Barnum and his relationships. I can see why a feel-good musical wouldn’t want to go into some of the grislier aspects of the story but I found it absolutely baffling that the character flaw given to Barnum (a flirted infidelity with Jenny Lind) was one of the few the real Barnum didn’t have. Why didn’t they just make it generic circus guy?


I’m partial to a musical. I’ve seen many of them on stage, I’ve even nicknamed my house Calamity Jane, but I never wanted to see this one.



The reason for that is the break-out song ‘This is Me’. I don’t like songs with ‘ohs’ in them very much and I found the subject generically dull. ‘This is Me’, of course it is. Are we not in an age of dull, anodyne, brand-savvy individualism? What else could a person write a song about these days?  


One of the people I’ve watched musical most with is my sister. We also try and watch Eurovision together and, if we can’t, we message each other throughout. This year, it was noticeable how many of the songs were cookie-cutter anthems of triumph about being yourself. It got boring. I really liked Nemo’s ‘The Code’ when it won last year, but seeing their new song this year, it was clear that Nemo only has one subject for songs… that being Nemo.


The other month I read a book called ’15 Lessons in New Thought’ by Elizabeth Towne. It was written in 1923 and contained life lessons from the perspective on New Thought, a mind-over-matter spiritualist movement that birthed Christian Science and influenced ideas of manifestation like ‘The Secret’. While it was the pseudo-scientific/pseudo-spiritual mumbo-jumbo I was expecting (with a spicy hint of eugenics thrown in), I was surprised by the collective vision in it. The notion was that God is created from all the thoughts of all creation and his plan was not pre-determined but worked out by his creation, acting as nodes in his brain. If anything felt truly revolutionary in the book, it wasn’t the “your mind creates reality” bullshit, it was the notion of, “this is us”. 


“This is us” even makes better thematic sense in the musical than “this is me”, because the characters grow and become happier in themselves through the shared endeavour of putting on a show - the old Muppets formula. 


I couldn’t go into helping a production of The Greatest Showman with such a negative perspective though, I needed to find things I liked. The first thing I did was divorce the story from any true events, this was just the story of happy, handsome circus man and not any real person. I also had to acknowledge how much I enjoyed the choreography, especially in the song ‘The Other Side’ which is almost an OK Go video.


As time went on, I also started to enjoy the songs. ‘A Million Dreams’ is no ‘Rainbow Connection’ but it’s a sweet song, especially when sung by a group of forty children. The song I really started to like was ‘From Now On’. It follows a similar pattern to many songs in the show, someone starts off low, but through the power of the song ends triumphant. In this song, happy, handsome circus man has lost everything and feels like a chump for neglecting his friends and family. It begins full of the letter ‘I”. He sings about how he shall no longer be dazzled by fame and fortune. By the end of the song, all the ‘I’ has been replaced by ‘we’ and the chorus all sing how ‘we will come back home’. It was lovely to hear the ‘we’.




Wednesday, 9 July 2025

I turned 40 yesterday. Let's talk books.

 


Yesterday I turned 40. I’m not a huge one for marking dates but a lot has changed in the last year; I’ve moved town, started a new job, found and bought my own house, worked hard to do it up and make it liveable, self-published a novel, been in a play and am rehearsing in another one. While celebrating in more conventional ways, I’ve also made two book lists of 40 books at 40.


I didn’t mean to make two, but it turned out that 40 books at 40 seemed to imply two very different things - one was the 40 books that I consider my favourites now that I am 40 and the other were my 40 favourite books at each year of my life. So I did that.


40 favourite books now I am 40.


The 40 books that are my favourite now is probably the most predictable of the two lists. It includes nine books from the eighteenth century and another seven books set in, or about it. The list is primarily fiction, with six non fiction books in there. It contains two scripts, one short story collection and four books of poetry. There’s a diary, three books of essays, a translation of a mediaeval bestiary and some unclassifiable books like The Codex Seraphinianus and The Flight of Dragons. Of the children’s books, only one of them is a book I read when I was a child.


I didn’t follow playlist rules, authors were allowed more than one book. Samuel Johnson has two (though there are two other books about him), Oliver Goldsmith also has two, as does TH White, Patrick Hamilton and Kurt Vonnegut. It’s a very male heavy list, which is a little strange as I now probably read a pretty equal spread of male and female writers.


The list of my favourite books at the moment of my 40th birthday certainly show me to have a type, a zone of interest that I like to paddle in, but also show a fairly wide range of tastes and a fondness for playfulness, nonsense and a little self-reflection. I don’t know if it contains any ‘red flag’ books, if it does, they aren’t any of the ones most usually cited. There’s also nothing newer than 1997 (unless you count a 2018 retelling of Gilgamesh - making it both the oldest and newest book on the list). 


Favourite books for my 40 years.


The other is probably more interesting, to me at least. I can see through the titles a mini-biography, a story of my life in books. 


It starts with a bunch of ladybird books. I had to rely on what I’ve been told about myself to put those down. I thrilled to the ‘trip tripping’ of The Three Billy Goats Gruff, I followed people around, forcing them to read Tootles the Taxi to me and I dressed up as a Wideawake mouse for school. 


Then I moved into my Roald Dahl phase, an author I read voraciously and repeatedly. It was hard to pick the representations of his work I most liked, except for Fantastic Mr Fox, which was the inspiration for the first long story I ever read. This is followed by Robin Jarvis, whose strange, dark and gripping animal tales were my favourite for a while. I don’t know how many times I’ve read The Alchemist’s Cat, which I did a presentation about in class as my favourite book.


Then we hit a dark period, when my reading comprehension was at a level enough to read most adult works but my social and emotional comprehension not enough to get much out of them. There was no designated YA fiction then and teen fiction seemed to be burdensome slice of life or turgid fantasy. As a result I flipped between exciting monster stories like Jaws and Jurassic Park and classic children’s literature I’d missed like Alice in Wonderland.


The Theatrical Tapes of Leonard Thynn is there to represent my fondness for Adrian Plass, a christian writer who focusses on the difficulties of being a mere human trying to live up to a divine plan. I also found him very funny and Leonard Thynn had me howling with laughter. 


Scepticism Inc is probably the most impactful book I’ve ever read. It’s a very silly look at religious belief and narrated by a shopping trolley. Through this book I started to focus my religious doubts (which I think my Adrian Plass period was an attempt to address). It also led me to another favourite author, Kurt Vonnegut, and led me to pick a BA in philosophy and an MA in writing. Despite the impact it had one me, the amount of times I re-read it, I don’t think it’s all that good any more. His second book The Astrological Diary of God is a step down 


Then was university and my Kurt Vonnegut phase. It was a great phase but after a time, I’d read all his books multiple times over and it was a couple of years before I got into my next big thing, the eighteenth century. This was a big initial rush full of gems that I’ve talked about on this blog. After that I re-expanded my reading to cover more eras, genres and variety but still touching back into my favourite century of works every few months. 


One big change over the years is that I now rarely re-read, the world of writing is so large and my time left on this planet a good chunk less, so I go onwards, discovering new things and having a lovely time of it. I hope to go for another 40 years at least.




 

Wednesday, 21 August 2024

600th Post: SPECIAL ANNOUNCEMENT




I’m very happy to announce that my novel Death of a Dream-Pedlar is now available from Amazon as a paperback or an ebook.



My launch price for the paperback is £10 and the ebook is 99p. Naturally I recommend the paperback.


In many ways, this book has been some time coming. I started a short story with many of these ideas in 2005, a chunk of the book formed my Masters dissertation in 2009 and I first finished it and tried to get it crowd funded in 2014. 


Ten years later, heavily re-written and here it is, actually coming out. Part of that has been laziness, part of it life, part of it the insistence that only standard agent-publisher publishing is the only legit kind. I’ve rather come around to self-publishing as the only really Grub Street approach to new publishing - but I’ll write another piece about that.


It’s funny all the comments I’ve got from agents. So many pieces of praise, so many agents describing the book (and me) as wonderful or great but always the ‘but’, they thought many people would really enjoy the book but they didn’t know how to place it in the right market who’d try it in large numbers.


So here it is.. I’ve tried to solve those problems myself. “A mystery, a lark, a look at the nature of dreams and a celebration of the triumph over suicidal ideation - Death of a Dream-Pedlar is a lively exploration into a curious world with an unforgettable heroine.”


And to make it easier to try… the ebook is only 99p., Be brave, give it a go.




Oh, and I just made a hardback also.


Wednesday, 5 June 2024

Willesden Green Tales

 For almost the last ten years I’ve lived in a little garret opposite Willesden Green Station. Out of my window, I’ve seen the green minaret of the Brent Central Mosque, gently glowing in the sunlight (or not, if it’s not). The garden is part of a row of gardens and has been the home to a surprising variety of birds, from parakeets and pigeons to jays, waxwings and a woodpecker. Like a lot of places in London, it has an insular feel, like a little pocket within the greater whole - and there have also been some unusual people, events and sights. I thought I’d record them for posterity.




Where I lived


When I went to see my little bedsit, it was always around 5pm. This is always a golden time, as the windows face west and the golden sunshine hits the edges of the mirrors and cause rainbows to drift around the room. 


The place is in the attic of my landlord, a former film editor who worked on films as diverse as Branagh’s Hamlet and Zombies Vs Cockneys. His brother was an assistant to George Michael, lately turned undertaker and author of Dead Ahead. He and his wife have always been good to me and when I caught covid, I was the lucky recipient of some brilliant meals.


The day I moved in, some police turned up at the house to ask questions of someone who had been a witness. A next door neighbour also came round, he’d seen the police car and decided to tell them that he’d found something in his garden he suspected to be an unexploded WWII German bomb. However, the police were busy, so he told me. I’m not sure if he ever told the police. I don’t know if he did find an unexploded bomb and, if he did, I don’t know if it’s still there.



Guard Dog Man


My little garret faces the back garden. There are a row of back gardens from the street, but the houses in the street behind also have their back gardens touching ours - this means there’s a surprisingly diverse range of birds and insects that make their homes there.


It also means that it’s a safe place for urban foxes to romance and later raise their cubs. Many evenings I’ve watched cubs play in the garden and it’s always a sweet and magical experience. Many times I’ve also heard foxes making love, that isn’t. The fox’s cry is a terrible sound at the best of time, part death-scream, part otherworldly abomination but sex cries of a fox are something else.


Somewhere in the road behind us there lived a man I designated ‘Guard Dog Man’. Whenever the foxes made noises, so did he. Presumably, he hoped the noise of him would scare them off but they never did. The sound he made was gruff, like a barking dog and he made it every time the foxes did. This meant that when I heard the foxes, it was less their noise I was concerned about, but the fact they’d set off Guard Dog Man. They’d squeal and squall and he’d bark pointlessly and that was their cycle, for years and years.



The Denim Twitcher


The next character steers me onto more delicate territory. There’s a man who haunts Willesden Green tube station every weekday morning who clearly has some difficulty or another. I’ve only spoken to him once, he’d fallen over and I helped him stand up but I don’t know his name or story. He always wears a checked rag round his head and an outfit that consists of a range of faded denim clothes. He also always wears a Lynard Skynard t-shirt. I don’t know if he always wears the same outfit exactly, but it’s always the same kind of thing.


He moves in the most extraordinary way. He twitches and lurches. He stands still and robotically strikes his hand up and down. He jolts and jerks, his walk stiff and sudden and alarming - it certainly helps me imagine what it must have seemed like to people meeting Samuel Johnson for the first time. He sometimes speaks, usually bellowed swear words but mainly he howls. I’ve heard him making sex-noises at women as they pass though. 


Like clockwork, he emerges from his house, he makes his erratic way up the street, he goes into Gails or Costa and then he goes to Willesden Green tube to shout and wail before catching a bus somewhere. If he needs a wee, he doesn’t go back to the house he emerges from but instead pisses on the street corner, his jerking body sending splashes everywhere.


I have no desire to laugh at this man, I have no knowledge of whatever it is he labours under, but he is a noticeable and fascinating feature of the environment and seems worth recording.



Mr Pimp-Tortoise


In the early years of moving in, there was another man who stood out who I designated in my head, ‘Mr Pimp-Tortoise’. 


He was an elderly man who wore a 1970s pimp suit in yellows and browns and oranges. It had huge pointed lapels, flared trousers, a hat and can - the whole shebang. This man must have been something in the 70s (or at the least, must have looked like he was). Now, however, he’d wizened and shrunk, his little head and small neck poking out of the already huge collar like a little tortoise. I always wondered about his story, who he had been and who he was now. I never saw him after covid.



Neils’ Photo Agency


Willesden Green’s biggest mystery. A photographers, presumably owned by two people called Neil. Neither Neil has ever been spotted. No one has ever entered the shop and no one has ever left it. 


What’s more, the photos that are stuck all over the windows, unmounted and frequently wonky, are always faded. Even on the rare occasion that a new photo is put up, it’s already faded. They aren’t even the kind of photo that would be taken by a photographers - there are no school photos, no portraits against a blank backdrop - instead there are holiday camera shots, photos of people a long way away, photos of people in their houses or against a bush. Many of the photos clearly date back years, most of them are poorly focused or badly framed. Why would a photographers only show off bad photos? It must be a front… for something. 



West Sussex Charcoal


There’s an Irish butchers on Willesden High Street. It’s got a good reputation and always looks very clean and appealing (if meat is your thing). There are two windows in the shop. One allows potential customers to peer at the meat counter, the other is stacked up with charcoal briquettes. These aren’t the outside-a-petrol-station kind, these look like premium charcoal. The most premium must be the ones labelled ‘West Sussex Charcoal’.


I’ve often found the attribution of place-names on products pretty funny. Is there really better quality in a Norfolk turkey to a different turkey? Would a Suffolk turkey be okay? The charcoal really tickled me, because surely, once charcoal is made, it lasts a long time and can be transported a long way. I understand why a product may seem better with British cream, you don’t really want cream that’s travelled half of Europe… but charcoal?


Even better, it has to be West Sussex charcoal, none of that East Sussex rubbish. I’d walk to work imagining a man (and it would definitely be a man) who lives out in Essex but gets a train every now and then to Willesden, just because the shop sold the West Sussex charcoal he so craved. Other places might sell East Sussex charcoal, or even worse, charcoal with no known providence at all. 


The West Sussex charcoal must be pretty popular because there are big gaps in time when the shop have run out and just display other charcoals. I imagine the man coming all the way from Essex, getting to the window of the butcher’s shop and being bitterly disappointed. 


The Book-swipe


Just inside Willesden Green Station there are is a small bookcase. On this bookcase people bring and take books. It’s called a book-swap, but for me (and it seems many others) it’s principally a book-swipe. I’ve grabbed some wonderful books from this place, discovered new authors and generally had my reading life greatly improved. I might miss it most of all.